Julia Bee, Kai Hochscheid, Alejandro Perdomo Daniels, Benjamin Weber
Year: 2020
112 pages
16,00 €
In addition to the photographic documentation of the exhibition, the publication contains four essays that deal with the concept of 'otherness' and the practice of difference in the context of art, culture and society. In her contribution, the cultural and media scholar Julia Bee deals with the relationship self/other in reference to Deleuze's philosophy of difference and points to spaces of action, which she illustrates with selected examples from film history. Against the background of autism research and the philosophy of Emmanuel Lévinas, Benjamin Weber's essay deals with togetherness and conversation as a way of overcoming otherness. In his essay, the philosopher Kai Hochscheid deals with the openness between production and reception as a reference moment of being. As an art historian and curator, Alejandro Perdomo Daniels addresses the construction of the 'other' against the background of asymmetrical power relations and points to the features of an aesthetics of difference.
Julia Bee, Kai Hochscheid, Alejandro Perdomo Daniels, Benjamin Weber
Year: 2020
112 pages
16,00 €
In addition to the photographic documentation of the exhibition, the publication contains four essays that deal with the concept of 'otherness' and the practice of difference in the context of art, culture and society. In her contribution, the cultural and media scholar Julia Bee deals with the relationship self/other in reference to Deleuze's philosophy of difference and points to spaces of action, which she illustrates with selected examples from film history. Against the background of autism research and the philosophy of Emmanuel Lévinas, Benjamin Weber's essay deals with togetherness and conversation as a way of overcoming otherness. In his essay, the philosopher Kai Hochscheid deals with the openness between production and reception as a reference moment of being. As an art historian and curator, Alejandro Perdomo Daniels addresses the construction of the 'other' against the background of asymmetrical power relations and points to the features of an aesthetics of difference.
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